A military unit freed a soldier from captivity. It turned out that his fiancee serves as a nurse in this unit. But the soldier, whose face was disfigured by the Nazis, didn't dare to meet her.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

The 1980s. Jan Bard, Polish intellectual and writer, leaves for West Berlin. He is working on another novel here. In Germany, he meets his old love Iza. He revives the feeling that once connected them. The woman is the ex-wife of the publisher of Bard's novels. The situation gets complicated soon.

暂无剧情简介

Short lunchtime news bulletin for North West England.

惨遭暗杀的六选国会议员具英镇（金允锡 饰）化为灵魂，遇上了唯一能听见他声音的九级基层公务员车宰林（金宣虎 饰）。为了揭开死亡真相并重回政坛，性格火爆的老牌政客与毫无野心的平凡青年组成奇幻搭档，在尔虞我诈的政治风暴中展开一场幽默犀利的复仇与逆袭。

A look at local issues

Dramatic turn in attitude towards avalanches and natural distasters took place after the 1995 avalanches in Iceland. Resulting in change in policy making and more international collaboration in designing defenses and risk assessments. Journalists also reflect on the effect the disasters had on their work, both professionally and personally.

Tv documentary by Margarete Kreuzer about the sub-culture of West-Berlin in the 1980s. The unique political and geographical status of West-Berlin in the cold war lead to a unique scene of artists reflecting the Zeitgeist and creating profound work that is now a part of history. A lot of historical footage is used and interesting anecdotes are shared. For example the story of creating the famous Die Dominas project involving Kraftwerk.

A collage-like film that mixes interviews with painter Erró and his collaborators, family and friends with visuals of his paintings and extracts from experimental films made in the sixties with Marcel Duchamp, Man Ray, Carolee Scheemann, Christo, Matta and Adami. Also including many of the luminaries of twentieth century art, the film takes us from Paris and New York to the appropriately surrealistic landscapes of Erró's native Iceland.